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HOLDOVERS/EXPANSIONS collared .5M in 59 markets this weekend to land it atop the international box office.

The overseas total is 3M through Monday and worldwide it’s tied up 4.5M on its way to further milestones this week.

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This less-frontloaded pic is currently at 4.5M worldwide through Monday and 3M overseas. During the lovers’ holiday, Christian and Ana thrust M into overseas tills, dominating box office in all release markets and doubling the Monday haul. This weekend overall was down 30% across the Top 10 from last week which included a big bang for Fox/New Regency’s psychological horror pic kicked off its overseas run with .4M on 2,723 screens in 36 markets.

The Dane De Haan-starrer from director Gore Verbinski had its best start in Korea with 0K, followed by France at No. The beautifully shot film is faring poorly in its domestic start at .2M for the three-day and is facing an uphill battle in light of critical and audience response.

It has many majors to come including the UK, Germany and Mexico next weekend.

This is a German co-production with Studio Babelsberg.

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(China is not typically big on musicals but was nevertheless in a toe-tapping mood this weekend with Universal’s The Vin Diesel-starring threequel from Paramount crossed $100M in China earlier this week, after just six days in release, and has now cumed $134.3M there as it continues to churn at Middle Kingdom turnstiles. Par and Revolution’s resurrection of the eponymous government operative is the first film in the $1B slate co-financing deal between Par and China’s Shanghai Film Group and Huahua Media.

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